London calling
The latest styles from Savile Row are anything but stodgy. Will they fly at work?
By Nelson D. Schwartz, Fortune senior writer

(Fortune Magazine) -- The suit is silky-smooth as I slip my arm into the sleeve, the three-button jacket's gray, white, and blue windowpane pattern offset by an eye-catching canary-yellow lining. It's the last thing I expected to find on Savile Row, the heart of traditional British tailoring, but it's exactly the mix of bold colors, beautiful cloth, and a bit of bling that's made designer Ozwald Boateng a favorite of City lawyers and traders in London as well as American music stars like Usher.

I'd always been a bit intimidated by Savile Row. With leather armchairs and fireplaces, most showrooms resemble the posh private clubs that dot London's West End, and I'm not a member of one of those either. But Boateng is different. The son of immigrants from Ghana, he is young (39), brash, and self-taught, an outsider until recently on the Row, where most tailors toiled for decades at old-school shops before setting up their own establishments.

"I've revolutionized Savile Row," says Boateng, never one for understatement. "Before it was gray, white, or black. I've made color wearable for men." Jamie Foxx wore a Boateng suit in Miami Vice this summer, and as one of Boateng's hip salesmen tells me, "we get footballers, film stars, City boys, and the odd gangster." It's no wonder Boateng's the only Savile Row tailor with a reality show (House of Boateng, on Sundance).

Savile Row's traditionalists might scoff at Boateng's designs (and bemoan the fact that newer, less experienced tailors are driving up real estate prices), but they realize the Prince Charles demographic alone can't sustain the Row. "If it brings the 25-year-olds in, they will eventually make their way up the pendulum," sniffs Simon Cundey, manager of Henry Poole & Co., a 200-year-old firm that is considered the oldest on the Row. And even the old guard is happy to indulge modern sartorialists. In between showing me moleskin-bound volumes detailing measurements of past clients like the Kaiser, Disraeli, and the Maharajah of Jaipur, Cundey confides that Poole's tailors recently created a $20,000 vicuña-and-cashmere suit with pinstripes made from real platinum.

The truth is that Boateng, along with new-breed couturiers like Richard James and hip traditionalists like Richard Anderson, has changed the feel of the place. Tweedy Englishmen still abound, but recently Pete Doherty, the bad-boy rocker and boyfriend of model Kate Moss, was seen shopping for a custom Richard James suit. Buzz is good for business, and the new blood has helped prevent Savile Row from following other once-stylish British icons like MG into business oblivion. Sales at Richard James rose 12% last year to $7.6 million, and Boateng's empire is growing by 15% annually.

Although Savile Row is known for bespoke tailoring--custom suits created from a bolt of cloth you select, which is cut to your exact measurements over a series of fittings - most newer tailors have introduced less expensive ready-to-wear versions as well as made-to-measure, an in-between category balancing the unique fit of bespoke with the preselected shape and material of ready-to-wear. Off-the-rack suits start at about $1,500, made-to-measure are about $3,000, and bespoke require up to four fittings over several months and cost north of $5,000.

So does Boateng & Co. fly in the boardroom? Although the canary-yellow lining and the bold checks might not be annual-meeting attire, his dark worsted wools would fit more traditional types just fine. Says Boateng: "I sell a hell of a lot of black suits."

Undoubtedly he does - to people with deeper pockets than mine. But a few doors down at Richard Anderson, when I slipped on a ready-to-wear suit, I had to admit I was tempted. The store was welcoming. The style was fresh. But the suit had enough of that classic English look that you know it's a Savile Row suit--one-button jacket, suppressed waist, high armholes, and none of the usual bagginess in the middle. "It's clean as a whistle," declared Anderson's partner, Brian Lishak. At $3,000 it was a stretch. But, hey, on my way up the fashion pendulum, I've got to start somewhere.


Bespoke A garment made from scratch to a customer's measurements

Made-to-measure A preexisting pattern that is altered to fit the customer

Off-the-rack A finished item sold in standard sizes

Row house calls

If you can't get to London, Poole, Anderson, and others regularly visit cities around the U.S. to fit clients (see for their itineraries). Here's how far your money will go--on either continent.


$1,500 A modern ready-to-wear Richard James suit.

$3,000 A Richard Anderson made- to-measure suit in your choice of fabric.

$6,000 A bespoke Ozwald Boateng suit with contrast lining.


$1,200 A made-to-measure two-piece business suit at 40 Savile Row.

$4,000 A traditional bespoke suit from 200-year-old Henry Poole & Co.

$5,500 An edgy bespoke number from celeb favorite Richard James.

Street Map

Guide to Savile Row

From perfectly fitted bespoke to a new breed of off-the-rack options, Savile Row has something to suit every style (if not every budget). Here's a look at the players, plus a few spots to grab a pint when you're in the neighborhood.

Richard James No. 29 Savile Row

Since he opened in 1992, James has lead the Row's new-wave tailors. The suits, both ready-to-wear and bespoke, feature modern flourishes like high pockets and vented sides. Oh, and Nicole's a client.

Gary Anderson No. 34-35 Savile Row

This newcomer (2001) is good for those looking to go dandyish with brightly colored silk suits, top hats, cravats, and waistcoats. And it's a veritable bargain--some bespoke suits start at only $1,030.

Mulligan's Oyster Bar No. 13 Cork Street

A true Row denizen's pub. You might run into tailor Thomas Mahon, who blogs about suits and Row gossip at

Timothy Everest No. 35 Bruton Place

Some New Guard tailors like Everest have ditched the Row entirely. Don't miss his trademark ties.

Sketch Conduit Street

Visitors with spare pence may be drawn to this expensive restaurant. The bar is the best thing about it.

The Eve Club No. 3 New Burlington Street

A reopened version of the once famous 1940s café society hangout. At night it's high-fashion clubby, so you can debut your new Savile Row style before you leave town.

Sartoria No. 22 Savile Row

The only restaurant on the Row, but a tourist destination rather than an authentic tailor's hangout.

Henry Poole & Co. No. 15 Savile Row

The Row's oldest name (in business since 1806) and the inspiration for the American tuxedo. Their suits emphasize materials and comfort, not flashy design detail.

Richard Anderson No. 13 Savile Row

A young gun but adamantly old school. Start with a bespoke suit in Anderson's favorite style (single-button, long-lapel) cut by the man himself, then get accessory advice, all at his Savile Row premises.

Ozwald Boateng No. 12A Savile Row

While the new- generation style icon (ask clients Mick Jagger or Jamie Foxx) keeps his off-the-rack storefront on Vigo Street, for a bespoke job you'll have to visit his atelier on the Row.

H. Huntsman No. 11 Savile Row

On the row since 1919. Very classy one-button, sharp-shoulder bespoke suits. Shirts are also custom cut on site. Tweed is a favorite material.

Evisu No. 9 Savile Row

A denim emporium specializing in Japanese styles, with both men's and women's lines. Cutter Ravi Tailor and tailor A.J. Hewitt, who work with Evisu, can make you a classic suit using the store's hip fabrics.

Kilgour No. 8 Savile Row

The only tailor Cary Grant ever trusted. And in these retro-loving times, today's Alfie (Jude Law) and James Bond (Daniel Craig) still sport the Kilgour look. Make an appointment for a bespoke version of its retail collection, the Row's first.

Apple Records No. 3 Savile Row

The Beatles' Let It Be was recorded in this onetime basement studio.

Gieves & Hawkes No. 1 Savile Row

This old name has expanded into edgy, urban apparel in shops from Moscow to Hong Kong, but still does bespoke tailoring on the Row.

Telis Demos contributed to this article. Top of page